The Haveli a 150-year-old building was in dire need of repairs, the building was listed as Grade 1 building by the heritage department of MCD, and had the potential to be included in the tourist circuit of old Delhi walks.

The building was a grade 2 listed building which has the highest potential for safe-guarding, hence all the conservation norms were followed including setting up a lime Chakki in the urban precincts of the city.

Lime mortar and other traditional techniques were used to recreate the lost glory of the Haveli.
Some parts of the haveli though new were constructed to match the old era.

The bar has a ceiling height cabinet covering one-half of the wall and the other-half finished with a flamingo wallpaper. The lounge area is a sitting space planned consciously with two different furniture settings using distinct furniture styles. A conscious effort is made to select furniture and lighting for every space to create an impressive ambiance. Customized lighting and suitable furniture pieces are sourced from different places across the city.

The chandelier in the corner has multiple layers of colorful glasses customized to gel with the color of the wall. The high winged chair is made with printed fabric which is a custom-made print specially created for the Angel’s project. The vintage look of the bar area is complemented with the leather finish high bar stools and patina green bar countertop.

Angel’s wings are an element that resonated with the client and are incorporated in the interiors using fiber art by designer Bharti. They are symbolic of how being in good company can be uplifting and heavenly. A concept of mask is also seen in the decor which portrays the multiple personalities every individual has, it reflects the space as a safety spot for every person where they can take off their masks and be their actual self.

The highlighting element of the living area is the wall paneling made with traversing panels at different levels. The wall panel is made in the deconstructive style finished in metallic finish  to create dichotomous drama. The panels are symbolic of the three spheres of life – the past, the present, and the future. The copper panel represents the past and covers the wall and the roof, the future is represented by the silver panel which is only used on the wall and the golden panel represents the present on the wall, roof and on the other side. This juxtaposition of panels creates a focal point of the space. The false ceiling is also made using a deconstructive pattern complementing the panel concept.